وی اس تی پیانوی C. Bechstein Digital Grand برای بر طرف کردن نیاز آهنگسازان و نوازندگان توسط شرکت Bechstein Digital توسعه داده شده است که یکی از الزامات رکورد با بالاترین کیفیت را فراهم می آورد زیرا این محصول توسط شرکت سازنده به چالش کشیده شده و در محیط های مختلف اجرای زنده توسط نوازندگان حرفه ای در ژانر های مختلف تست شده است ، برای ساخت این پیانوی با کیفیت بیش از ۲ ترابایت فایل صوتی رکورد و در نهایت ۱۰/۰۰۰ سمپل برگزیده شده و با برنامه نویسی پیشرفته تحت پلیر کنتاکت با ۲۶ لایه سرعت داینامیک ( شدت اجرا ) منتشر شده است ، وی اس تی C. Bechstein Digital Grand دارای محیط کاربری پیشرفته ای برای ایجاد شخصی سازی علاوه بر صدای خام پیانو را دارد و به همین دلیل شرکت سازنده بسیاری پریست از پیش طراحی شده برای آن در نظر گرفته است که در محیط کاربری قابل انتخاب و ویرایش است ، با ما در ادامه ی مطلب همراه باشید .

Fixed:

The automation in ABLETON LIVE no longer regulates all parameters simultaneously (referred to host automation ID #511).
The parameter CHARACTER is now displayed consistently with the graphical user interface in the displays for the Native Instruments KOMPLETE keyboards.
An error which hindered that the pedal functions “Sustain volume” and “Una corda intensity” could not be automated with individual controller numbers was rectified.
When playing with sympathetic overtones turned ON, some voices were not like the acoustic role model – this was rectified and the behaviour optimised (see below).

News and optimisation:

Several features were optimised, considerably reducing the number of voices actually required (polyphony). This means that the DIGITAL GRAND now runs on several computers without disturbing dropouts and with a lower CPU load.
A new snapshot, START HERE, which includes several resource saving basic settings, was added.
The pre-set maximum number of voices available was reduced, taking several PC systems into account. You can easily adjust this setting to the actual performance capability of your PC yourself (see Digital Grand manual page 24).
The volume of the key noises, dampers and pedals was slightly reduced in all snapshots.
The keyboard range which generates sympathetic overtones when playing was extended.
The threshold value for sustain pedals which can provide continuous data (“half pedal”) on CC#64 can now be adapted using a slider.
The threshold value described above is now set more tolerant, enabling the foot to rest lightly on the pedal whilst playing without increasing the voice burden.
A multi (Power Piano.nkm) was added, which demonstrates the options of the combination of all three microphone signals – Player, Side and Top. Moreover, snapshots with sensible presets for such tonal layers were stored in the Snapshots’ “Utilities” folder.
The manual was updated and also incorporates an installation description of the new Native Instruments “Native Access” tool.